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FILM AND PHILOSOPHY
Call for Papers for Volume 15
Submissions are now being accepted for Volume 15 of Film and Philosophy
GENERAL INTEREST EDITION
Articles will be considered on any aspect of the intersection of philosophy and film. Submissions should be from 2,500 to 7,500 words, using endnotes and following the Chicago Manual of Style. Please submit completed articles by email to Managing Editor Daniel Shaw dshaw@lhup.edu
Deadline: June 30, 2010
NOW AVAILABLE:
VOLUME 13: TEACHING PHILOSOPHY THROUGH FILM featuring:
"Is Dr. House Virtuous" Heather Battaly and Amy Coplan
Aristotle's Theory of Friendship and The Third Man Thomas Wartenberg
The Conversation, Film and Philosophy Mark Huston
Resuscitating the Subversive in Unlikely Couples Sondra Bacharach
Monsters and the Moving Image Noël Carroll
Wings of Desire: Reflections on the Tedium of Immortality Aaron Smuts
Signs and the Problem of Evil Dan Shaw ...and much more
CLICK HERE FOR JOURNAL BROCHURE
(MEMBERSHIP FORM AT THE END)
Table of Contents to Volume 12 (now available)
Film’s Limits: The Sequel
Bruce Russell
Philosophy in the Moving Image: Response to Bruce Russell Noël
Carroll
What Else Films Can Do: A Response to Bruce Russell Thomas E.
Wartenberg
Replies to Carroll and Wartenberg
Bruce Russell
Smoke and the Practice of Philosophy
J. Heath Atchley
Hostel: A Nightmare of the Hyperreal
Ben Convey
Two Problematic Theses in Carroll’s Account of Horror
Brian Laetz
Cinema as Sacrifice: Borat and the Culture Industry
William Grundy
Self-Knowledge, Self-Deception, and Retaliation:
Lessons from The Limey and The Godfather
Sean McAleer
Do You Have a Light?: The Failures and Special Effects
of Godard’s Alphaville
Ramsey Eric Ramsey and Diane Gruber
Tedium, Aesthetic Form, and Moral Insight in Silverlake Life
Kayley Vernallis
Defining the Moving Image: A Response to Noël Carroll
Robert Yanal
VOLUME 11 IS NOW AVAILABLE
Joseph Kupfer on Bang the Drum Slowly
Thorsten Botz-Bornstein on Benjamin & Tarkovsky
Henry Bacon on a phenomenology of film narration
Dan Flory on the treatment of race in Deep Cover
William Pamerleau on film realism and narrative identity
Aaron Smuts on sexist humor and In the Company of Men
Chris Venner on Lacanian evil and Mamet's Homicide
Avery Plaw on the historical distortions in Spielberg's Munich
Jeanette Bicknell on Orientalism and The Sheltering Sky
Richard Nunan on the gay perspective of Brokeback Mountain
Carole Lyn Piechota on Nietzsche and Eternal Sunshine
SEE HOT LINK TO JOURNAL BROCHURE ABOVE
VOLUME 10 Philosophy of Film and Film Theory Still
Available Dan Flory, Guest Editor Amy Coplan "Caring About Characters: Three
Determinants of Emotional Engagement" ...Ils Huygens, C. Paul Sellors, Greg Smith and more
Margarete Bruun Vaage "The Empathic Film Spectator in Analytic Philosophy and
Naturalized
Phenomenology"
Aaron Smuts "V. F. Perkins' Functional Credibility"
Kevin Stoehr "The Dialectical Approach to the Art of the
Moving Image: Hegel, Eisenstein, and
Kracauer"
Jonathan Lahey Dronsfield "The Condition of Film as Philosophy; Or, How Can a
Film Ask a Question?"
Andrew Light "Objectivity and the Film of Presumptive
Assertion"
Thomas Wartenberg "Understanding Film Form: A Critique of Carroll's Functional
Account"
Noël Carroll "The Moving Image: Form and Fact--Responses to Tom Wartenberg
and Andrew
Light"
VOLUME 9
SPECIAL INTEREST EDITION: Philosophy and Science Fiction
Author Meets Critics: On Film (with thanks to Daniel Frampton, editor,Film-Philosophy Internet Salon and Journal, UK)
Is Film the Alien Other to Philosophy? — Nathan Andersen
Alien Ways of Thinking — Julian Baggini
Ways of Thinking: A Response to Andersen and Baggini — Stephen Mulhall
The Dilemma of Artificial Love in A.I.-Artificial Intelligence — Laura Werner
The Evolution of the Sci-Fi Genre — Temenuga Trifonova
A Common Ground Between Science and Religion: Contact & The Varieties of Religious Experience — Jonathan Hiers
Burgess, Kubrick and the Enlightenment Narrative of Progress — Alfred Drake
Kubrick Contra Nihilism: A Clockwork Orange — Dan Shaw
— and more! Order today with the membership form above
VOLUME 8 IS STILL AVAILABLE
VOLUME 8 TABLE OF CONTENTS
A Desperate Education: Thoreau’s Walden and All That Heaven Allows -David Justin Hodge
Self-Knowledge and Humility in Chariots of Fire -Joseph Kupfer
The Treasure of the Sierra Madre and Environmental Virtue Ethics -Sean McAleer
Scapegoating, the Holocaust and McCarthyism in Stalag 17 -Sander Lee
Disciplinary Power and Testimonial Narrative in Schindler’s List -Eugene Arva
The Truth About False Witnesses in Decalogue 2 & 8 -Paul Santilli
Cinematic Philosophy in Le Feu follet: The Search for a Meaningful Life -Herbert Granger
Cultural Change and Nihilism in the Rollerball Films -John Marmysz
Nihilism and Noir -Kevin Stoehr
The Logic of Noir and the Question of Radical Evil -Bert Olivier
Studying Films Philosophically: A Panel Discussion
Looking Backward: Philosophy and Film Reconsidered -Thomas Wartenberg
The Present State of the Philosophy of Film -Ian Jarvie
Philosophy of Film, or Philosophies of Film? -Deborah Knight
Empiricism and the Philosophy of Film -Cynthia Freeland
Film Review: Fatalism in Fat City -Dan Shaw
Volume 7 Table of Contents
"No Callous Shell" The Fate of Selfhood from Walt Whitman to Todd Haynes Anat Pick
Heideggerean Wonder in Terence Malick’s The Thin Red Line Robert Clewis
Finding the Essential: A Phenomenological Look at Hal Hartley’s No Such Thing Kevin Taylor Anderson
Sensible and Desperate Knaves in The Way Of the Gun Ronald Lindsay
Cinema and the Aesthetics of the Dynamical Sublime: Kant, Deleuze, Heidegger and the Architecture of Film Jerold J. Abrams
‘Are You Still You?’: Memory, Identity and Self-Positioning in Total Recall Nathan Abrams
A Gnostic Matrix for the Masses: A Conspired Space Of Metaphysical Totality David Brottman
Life as Show Time: Aesthetic Images and Ideological Spectacles Eugene Arva
PoMo Desire?: Authorship and Agency in Wim Wenders Wings of Desire Nathan Wolfson
Book Review: Eighteen Woody Allen Films Analyzed Dan Shaw
Volume 5/6 Special Double Edition is also available -
Dues for Individuals are $20/year, $30 for institutions
SPECIAL 2001 EDITION ON HORROR STILL AVAILABLE
CLICK HERE FOR REVIEW OF SPECIAL HORROR EDITION BY JOAN HAWKINS