Gallery 2 of Stereo Pictures for Cross-Eyed Viewing.

Many of these are experimental photos, not perfect, but indicative of what can be done with homebult macro 3d cameras, hand-held 3d using the shift method, and pictures from the air, using the plane's motion to give the parallax shift.

A fern on the forest floor. Taken with a digital camera hand-held.

Bumblebee, taken with the bugshooter1 camera on Ektachrome.

There's a honeybee in this picture. Actually two of them.

The bee in the last picture was almost lost in the greenery. Here's an example of how much cropping you can get away with even in an old stereo taken on film.

Honeybee at work.

Another honeybee.

Here's a pleasant scene at Shaw's Gardens (The Missouri Botanical Garden) in St. Louis, MO. Hand-held digital picture taken in 2005.

Museums and zoos generally don't allow tripods and flash. And some displays are rather dimly lighted. Then there's the problem of other people being in the way of good shots. But sometimes you get lucky. The next two pictues were made with a digital camera, hand held, moving the camera sidewise about 1 inch between shots. The first picture is a tropical tree frog. The second is Cratophyrus Ornatus (Ornate Horned Frog). Time the shots with the frog's breathing. Taken Feb. 2008 at Clyde Peeling's Reptileland, near Allenwood, PA.

Handheld stereo with large interocular can make distant scenes look like miniatures or model railroad layouts. This one, looking down on Salzburg, Austria, had a separation of about 10 feet, obtained by taking one picture, walking to a location 10 feet away, framing the scene identically and taking the second picture. Sometimes you get a usable picture.

The "Pilatushaus" in Oberammergau. The wall paintings, being called "Lüftlmalerei" here (i.e. "free air paintings") were made by Franz Seraph Zwinck in 1784. It shows the scene where Roman governor Pilatus speaks his condemnation of Jesus. The Pilatushaus currently houses craftsmen who do traditional work in their chambers. It is called the "living workshop". It is also the location of the marriage license bureau.

Handheld stereo from an airplane, near Albuquerque in 2004 with digital camera. The plane does the moving for you, so you must take two pictures in quick succession, framing them the same. It is best to aim perpendicular to the plane's motion, and use a portion of the window that has the least distortion.

Clouds taken from an airplane. The parallax is a bit too large. I should have taken the second exposure more quickly.

Above the clouds.

For scenics and travel photography, the stereo cameras of the 1950s were ideal. Certain models are still eagerly sought for those who do film photography. Among the best were the Realists, Kodak, and the French Verascope, which had a wider format. Pictured here is the Revere camera.

Deadwood in the Colorado National Monument, Summer, 1971. Verascope camera with Kodachrome.

The same scene as Ansel Adams might have liked it. The blue record was removed from the color picture, then it was rendered in black and white, with boosted gamma and contrast.

Riverside geyser at Yellowstone National Park, Sept, 1971. Verascope stereo camera with Kodachrome.

Tulips in early May, 2008. Hand-held digital camera.

All pictures copyright by Donald E. Simanek.

Snowflakes.
Pictures of jugglers.
Computer graphics stereos, including animated ones.
Knots.

More cross-eyed stereos in 3d Gallery One.
Stereo view cards in 3d Gallery Three.
Building a digital stereo macrophotography system in 3d Gallery Four.
Review of the Loreo stereo attachment 3d Gallery Five.
Wildlife photography in your backyard, 3d Gallery Six.
A home-built digital stereo camera using mirrors 3d Gallery Seven.
Stereo with two synchronized digital cameras. [Coming soon.]
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